 No, there's no such thing as husband poetry.
I mean my husband asked me to teach him more about poetry. My husband felt there were decided holes in his education, but I thought surely somewhere in junior high or high school a dedicated teacher must have taught him some famous verse. He swears he remembers nothing of the sort. Thus, three months ago, my husband picked up a volume of Emily Brontë poetry and determined to understand what he read. He was already a decided Brontë sisters' admirer, so likability wasn't an issue. What did become an issue was rhyme scheme and syllable structure. So what to do? As he read poetry before bed each evening, he began to ask me questions like Why does this line have eight syllables and this one has ten? I know, I know. Nerd alert. How many married couples talk like this before falling asleep? Anyway, I began by asking him not only to count syllables in every line, but to also determine if there was a pattern. How many lines are in the overall poem? Did you say 14? So what type of poem is that? What was Bronte imitating? Pretty soon I realized we needed to start at the beginning. All the intelligent Rush lyrics of his youth bred a natural appreciation for poetry and the lyrical art, but that didn't mean he understood the required elements of the poet's work. This is what we've learned so far in the poetry journey: STEP ONE: Read poetry you like, poetry you're drawn to. Each person has their own taste of course. Bronte did that for him as did Frost and Seamus Heaney. STEP TWO: Break apart the poem skeleton. This is tricky because if you spend too much time identifying parts you can also remove the pleasure of reading for the beauty of the thing. At the same time without the knowledge of parts it's hard to appreciate the whole. Think of the human skeleton. Knowing the parts of the body that frame it and allow it to stand and move increases our appreciation of its overall appearance. STEP THREE: Find a teaching text that's written at your level. Perhaps the most difficult creature to find, an instructional book is a necessary thing unless you already have an English teacher spouse at your side. From homeschooling curricula to college-level texts, there are too many choices. I've read quite a few that make poetry more difficult and even more that make it too simple. The trick is to find the one that fits you. As an adult learner, my husband didn't want a middle school beginner though he was willing. Instead we went entirely old school. Why not learn from two distinguished Yale professors? MY TOP RECOMMENDATIONS Understanding Poetry by Cleanth Brooks and Robert Penn Warren. It's no longer in print but is a valuable text if you find one. You can learn so much from reading just two chapters on narrative and descriptive poems. Brooks and Warren include plenty of examples and commentary on how the poem works and what it means. It is most helpful to learn from their wealth of experience and to learn from the types of questions they ask about each poem. The Harp and Laurel Wreath by Laura Berquist. Berquist has compiled a thorough representation for grades 1-12. Poems are listed for memorization, analysis, and writing practice. She includes questions following each poem that are perfect for class discussion or independent learning. The appendices include most every literary term tied to poetry study in addition to plentiful examples on meter, rhyme, and verse. *originally published November 29, 2017
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 A night was near, a day was near,
Between a day and night I heard sweet voices calling clear, Calling me: I heard a whirr of wing on wing, But could not see the sight; I long to see my birds that sing, I long to see. Below the stars, beyond the moon, Between the night and day I heard a rising falling tune Calling me: I long to see the pipes and strings Whereon such minstrels play; I long to see each face that sings, I long to see. Today or may be not today, Tonight or not tonight, All voices that command or pray Calling me, Shall kindle in my soul such fire And in my eyes such light That I shall see that heart's desire I long to see.  CELEBRATE ALL FOUR SEASONS with memoir, poetry, and short stories In the vein of Thoreau and Walden Pond, William Paul Winchester recounts his life on twenty acres in rural Oklahoma as simple and poetic. Nothing is diminutive. Embrace each blade of grass, the cow Isabel, the harvester ant, the sycamore, and the relics of the Dutchman's property.
As he labored to build a house on a century-old foundation and strove to live off of the land, Winchester fully details the intricacy of each season with simplicity. Consider a summer scene—“Lightning bugs and glow worms, their bioluminescence dependent on phosphorus, were drawn to my twenty acres in such numbers that walking out on a still summer evening is like passing through the center of a meteor shower.” Winchester's memoir is just as much a commentary on contentment as it is a call to perspective. He writes, “To live in the country in a house I built for myself, with meaningful work and a margin of leisure, free to create a little universe of my own making—this was my idea of happiness.”
You don’t have to be a Transcendentalist to enjoy Emerson’s delightful observations of “Earth-song.” Choose a season, and Emerson will regale you. From the “burling, dozing humble-bee” to his odes on Nature, his rambles and travels through the seasons are equally detailed in appreciation: Announced by all the trumpets of the sky, I leave you with the words of our final author, Washington Irving, and his commentary on the passing of seasons in “Christmas” from his Sketchbook-- We derive a great portion of our pleasures from the mere beauties of Nature. Our feelings sally forth and dissipate themselves over the sunny landscape, and we ‘live abroad and everywhere.’ The song of the bird, the murmur of the stream, the breathing fragrance of spring, the soft voluptuousness of summer, the golden pomp of autumn; earth with its mantle of refreshing green, and heaven with its deep delicious blue and its cloudy magnificence, all fill us with mute but exquisite delight...But in the depth of winter, when Nature lies despoiled of every charm, and wrapped in her shroud of sheeted snow, we turn our gratifications to moral sources.” originally published November 18, 2018
 V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither'd leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish'd hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken'd earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind? In Percy Bysshe Shelley’s “Ode to the West Wind,” the wind of autumn is no longer accused of bringing a permanent death. Winter is not an evil. Yes, the seeds that the wind blows will die and be buried for but a season because the warm spring wind will certainly return to bring life. As much as I thrill to the autumn Keats describes in “To Autumn,” I find a deeper, more intense awareness in Shelley’s poem. Both poems are personal, yet Shelley’s feels like a prayer by the fifth and final stanza. With great earnestness, he asks the wind to play upon him, that he would be the harp just like the trees of the forest are strings for the wind to play upon. Shelley’s plea extends to his heart. Would that the wind could drive his dead thoughts away like nature’s seeds and bring those dead words to life. He commands the wind to do so, to scatter his words across the earth. I know, I know. Shelley may have been prompted by thoughts of glory and fame, but what if the spiritual parallel goes further? What if Shelley knew of David’s words in Psalm 49:4-5? My mouth is about to speak wisdom; my heart’s deepest thoughts will give understanding. I will listen with care to God’s parable. I will set his riddle to the music of the lyre." How unique that Shelley’s earnest determination parallels David’s. A similar passion drives them as both desire to make a mystery known through lyric.
Their expressions continue to resonate with me, and my hope remains—that I too can echo Shelley’s words in prayer, “Make me thy lyre.”   I read so much this summer that it was hard to choose what to include this year. And I almost added a new category titled BOOKS I HATED but thought that might be too much! Hint: They are excoriated (ahem! listed) on my Goodreads account.
POPULAR READS.
I have many, many more books to read (and a few to write), but do share your own favorite summer reads in the comments below. I'd love to hear what brought you delight or simply got you thinking!  A night was near, a day was near,
Between a day and night I heard sweet voices calling clear, Calling me: I heard a whirr of wing on wing, But could not see the sight; I long to see my birds that sing, I long to see. Below the stars, beyond the moon, Between the night and day I heard a rising falling tune Calling me: I long to see the pipes and strings Whereon such minstrels play; I long to see each face that sings, I long to see. Today or may be not today, Tonight or not tonight, All voices that command or pray Calling me, Shall kindle in my soul such fire And in my eyes such light That I shall see that heart's desire I long to see.  CELEBRATE ALL FOUR SEASONS with memoir, poetry, and short stories In the vein of Thoreau and Walden Pond, William Paul Winchester recounts his life on twenty acres in rural Oklahoma as simple and poetic. Nothing is diminutive. Embrace each blade of grass, the cow Isabel, the harvester ant, the sycamore, and the relics of the Dutchman's property.
As he labored to build a house on a century-old foundation and strove to live off of the land, Winchester fully details the intricacy of each season with simplicity. Consider a summer scene—“Lightning bugs and glow worms, their bioluminescence dependent on phosphorus, were drawn to my twenty acres in such numbers that walking out on a still summer evening is like passing through the center of a meteor shower.” Winchester's memoir is just as much a commentary on contentment as it is a call to perspective. He writes, “To live in the country in a house I built for myself, with meaningful work and a margin of leisure, free to create a little universe of my own making—this was my idea of happiness.”
You don’t have to be a Transcendentalist to enjoy Emerson’s delightful observations of “Earth-song.” Choose a season, and Emerson will regale you. From the “burling, dozing humble-bee” to his odes on Nature, his rambles and travels through the seasons are equally detailed in appreciation: Announced by all the trumpets of the sky, I leave you with the words of our final author, Washington Irving, and his commentary on the passing of seasons in “Christmas” from his Sketchbook-- We derive a great portion of our pleasures from the mere beauties of Nature. Our feelings sally forth and dissipate themselves over the sunny landscape, and we ‘live abroad and everywhere.’ The song of the bird, the murmur of the stream, the breathing fragrance of spring, the soft voluptuousness of summer, the golden pomp of autumn; earth with its mantle of refreshing green, and heaven with its deep delicious blue and its cloudy magnificence, all fill us with mute but exquisite delight . . . But in the depth of winter, when Nature lies despoiled of every charm, and wrapped in her shroud of sheeted snow, we turn our gratifications to moral sources.”  V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither'd leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish'd hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken'd earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind? In Percy Bysshe Shelley’s “Ode to the West Wind,” the wind of autumn is no longer accused of bringing a permanent death. Winter is not an evil. Yes, the seeds that the wind blows will die and be buried for but a season because the warm spring wind will certainly return to bring life. As much as I thrill to the autumn Keats describes in “To Autumn,” I find a deeper, more intense awareness in Shelley’s poem. Both poems are personal, yet Shelley’s feels like a prayer by the fifth and final stanza. With great earnestness, he asks the wind to play upon him, that he would be the harp just like the trees of the forest are strings for the wind to play upon. Shelley’s plea extends to his heart. Would that the wind could drive his dead thoughts away like nature’s seeds and bring those dead words to life. He commands the wind to do so, to scatter his words across the earth. I know, I know. Shelley may have been prompted by thoughts of glory and fame, but what if the spiritual parallel goes further? What if Shelley knew of David’s words in Psalm 49:4-5? My mouth is about to speak wisdom; my heart’s deepest thoughts will give understanding. I will listen with care to God’s parable. I will set his riddle to the music of the lyre. How unique that Shelley’s earnest determination parallels David’s. A similar passion drives them as both desire to make a mystery known through lyric.
Their expressions continue to resonate with me, and my hope remains—that I too can echo Shelley’s words in prayer, “Make me thy lyre.”  I FEEL LIKE I'M ALWAYS READING with plenty more to read, but I don't think I would ever describe myself as a well-read person. I have a feeling I'm not the only one too. I like reading and learning, plain and simple. I thought I'd share bits of my summer stack from last year. My stack is incomplete without my Kindle reads, but it's a fair representation. Here are my categories:  FAVORITE LIGHT READS.
 I have a privileged position. I really do. The graduating class at our small high school has only sixteen seniors this year. Most years we have fewer than thirty. Last year, I chose to add to my normal parting gift of a heartfelt note and gave each senior a pocket size poetry book. Typical frugal educator that I am, I used my Barnes and Noble coupons every few weeks and eventually purchased enough of the same five books. This year I started even earlier in the semester because I really wanted to give a meaningful volume that spoke to each student. And yes, that is quite the endeavor. Who wants to give something that will lay dust-ridden on a shelf or languish in a box of lost toys? Sorry, that’s the Island of Lost Toys. I chose these for pure readability and simple pleasure, hoping that the beauty of word choice would shine, even in the event of an obscure line or two. I could share all sixteen book choices, but that might scare you away. Instead here is the array that just might fit as you consider presents for any type of graduate. 
Weary at last with way-worn wandering  4. No worthy list can ignore nature, and this is a terrible thing because I enjoy so many nature poets. Ralph Waldo Emerson, Willa Cather, Percy Shelley. It is limitless and varied. Maybe I can include two twentieth century ones then? I would choose the newest 2017 Sterling Selected Poems of Robert Frost, illustrated edition for its keepsake quality. Thomas Nason’s woodcut engravings that have accompanied several Frost volumes in decades past are included in glossy full-page contrast. The pages long to be touched. One hundred poems feature Frost and his New England at their best. Secondly I am torn between Richard Wilbur and Wendell Berry, but alas Berry has published several smaller volumes, that is “approachable” volumes, for young readers. I chose A Small Porch, which contains his Sabbath poems from 2014 and 2015 plus an extended essay on nature— The best of human work defers always to the in-forming beauty of Nature’s work . . . It is only the Christ-life, the life undying, given, received, again given, that completes our work. 5. And now for the Emilys, or is it Emmys? For Gothic verse, for sheer empathic skill in one so young, I enjoy the Everyman edition of Emily Bronte. Once again, it’s bite-sized and not as thick a tome as her complete poems. True, Bronte often deals in death and grief because it was the reality of the day, but that should not dissuade us or obscure her brighter moments. Consider "No Coward Soul Is Mine" and "Love and Friendship."
I trust these are helpful choices, and I especially would love to hear your gift suggestions. Comment on my blog or message me through my Contact page, and let's share together! |
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