Christine Norvell
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Finding Faith in Fiction: Book Review of Wondrous Reading

6/28/2026

 
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 A Presbyterian minister told me that many of the young parents in her inner city church were and are in great need of basic training, so she extended help by offering a Sunday afternoon class. No, not the kind of class with a popular Christian parenting book or a video channel with the latest blend of faith and child psychology. Rather, her session centered on healthy family habits, beginning with the most basic interactions.

In this class, she described a typical parenting day with ups and downs and casually mentioned bedtime prayer and stories. By the expressions she saw, she instantly knew that few of the parents and guardians prayed or regularly read to their children. She hadn’t even made it to the point in her notes where she asked them to read the Bible. And so, a solitary parenting class became a full year of discipleship.

Yes, studies show that the ease and rise of screen time competes for these precious evening minutes or any gap of time in the day, but the HarperCollins UK survey from 2025 also reveals that fewer parents see a purpose for reading together. They simply don’t do it. The lack of purpose is altogether disheartening. It is likely what my minister friend discerned—that all families do not know that spending purposeful time interacting together as readers can strengthen God-given bonds, love, and affection. My friend responded to the need by adding weekly classes and introducing these families to many activities and ideas, not to fill schedules but to show them that they could shape who they were becoming as families with God in the center.

According to cognitive scientist Daniel Willingham, when children develop a sense that being a reader is part of who they are, a virtuous cycle of growth begins. It’s not just how they feel about reading. It becomes a daily choice whenever time offers an opportunity. And reading together is about what we give and receive. It can be more than a school reading program, more than minutes we count, more than conversation, even more than the nurturing moments of holding a child on a lap. These times can hold greater potential if we can see it.
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In Wondrous Reading: Encountering the Catholic Faith in Children’s Literature, LuElla D’Amico makes a spiritual distinction that equips those struggling to see reading’s purpose. The shared literary space with our children not only cultivates reading habits but also “nurture[s] a space for meaningful conversations that can bond you and develop your spiritual acumen.” This intention sets it apart from other family guides. It is with others, in communion, that our minds and hearts are engaged, not only our emotions but also our spirits. . . .​
More at University Bookman

Why We Abandon Books

4/13/2026

 
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They have multiplied across my nightstand, and the stack is growing. Sticky notes, a pencil, junkmail postcards, and a receipt work as placeholders.

I actively read three to four books. I read a few pages from each book every night or switch from book to book. I have plenty of other reading friends who keep disciplined systems like these, sometimes with up to ten books.

Unfortunately, I started four books in December and have not returned to them since. Can I blame my attention in a distracted age? Certainly. Did I spend a lot of late night hours visiting instead of reading? You bet, but a few months have now passed. Is a book or two ready for the fatal Did-Not-Finish pile? Also a possibility. But I wonder if it’s something else that leads me to lay aside certain books.

Here are two examples. For a decade, I have wanted to read F. Scott Fitzgerald’s first novel, from 1920, This Side of Paradise. I’ve taught many of Fitzgerald’s short stories and The Great Gatsby countless times. I might never find a character to truly cheer for in his work, but that is my opinion of course and also not the point of fiction. My margin notes and lines and boxes of every color reveal how I’ve learned and reflected on Fitzgerald’s works over the years as I taught them. I relish so much of his style and phrasing while I can also appreciate his critical eye of American society. Yet I stopped halfway through his instant bestseller. I don’t like Amory. I have left him at age twenty in the middle of Princeton in chapter 3, and I’m not sure I care enough to read more. I feel a certain stubbornness or maybe ambivalence. . . 
Read more at Front Porch Republic

Love & Literacy

9/26/2023

 
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It was a simple tweet. I posted a picture from the second day of school, showing my own annotations of a C.S. Lewis essay with the caption, “Teaching students annotation means modeling my own.” To my surprise, author Stephen Chiger responded that he taught the same, most notably in his book Love & Literacy published in 2021 for Uncommon Schools, a public charter network in New York, New Jersey, and Massachusetts.
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Intrigued, I wanted to see if a design to foster reading and literacy in urban public schools might share some practices with classical education. The premise of the book is a true ideal: “This is what love in a literacy classroom looks like: a love for the conversation, love for the text, and love for the ideas they both spark. When that includes all students, magic happens.” I kept reading.
Read More at ClassicalEdReview

Education as a Moral Enterprise

2/20/2022

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In the history of education in America, many Americans no longer know how common schools became more than an idea. Nor do they know who made the first strides in these efforts.

Thomas Jefferson attempted to establish a decentralized public school system more than once, a plan based on localized districts within counties. In his 1778 “Bill for the More General Diffusion of Knowledge,” he stressed the need for vigilant citizens who would constantly be on guard against the ambition of rulers, especially at the state or federal levels. Jefferson wanted to educate all students as future citizens in a republic and at the same time provide expanded opportunities for men to develop into the future political leaders of Virginia.

At his 1838 Lyceum Address in Springfield, Illinois, Abraham Lincoln advocated that schools should teach a reverence for our American democracy: “Let reverence for the laws be breathed by every American mother, to the lisping babe, that prattles on her lap—let it be taught in schools, in seminaries, and in colleges; let it be written in Primers, spelling books, and in Almanacs;—let it be preached from the pulpit, proclaimed in legislative halls, and enforced in courts of justice. And, in short, let it become the political religion of the nation.”

Building on this idea of citizenship, William Holmes ​​McGuffey (1800–1873) strove to openly cultivate Christian character by developing readers in the growing American West independent of British influence. The McGuffey Readers introduced students to the classics, to morality, and to good character. Seven million readers were sold before 1850 with thirty-seven states adopting them by 1890. McGuffey’s influence held for decades.
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In his examination of McGuffey’s life and curriculum, John H. Westerhoff weaves a biography within a fascinating history of education in the early 1800s. The idea of common schools was growing. Westerhoff’s research clearly shows how McGuffey and his original Readers made a significant impact on nineteenth-century education through the use of moral teaching, civics, story, and phonics....
Read More at The University Bookman
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Writing Fiction and Teaching Writing

9/16/2021

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I received a rejection last week. From one year ago. An agent whose work I admire had requested a full manuscript for my middle grade novel.​
I enjoyed the read – you’ve got a great voice here, and I really liked the concept, but in the end, I just didn’t fall enough in love to be able to offer representation.”
For those in the writing trenches, you’ll recognize the wording of a standardized rejection. It’s neither encouraging nor discouraging. From an agent, it could mean “Your story is not for me” or they (or their assistant) really weren’t captured enough to read it, let alone provide feedback.

Rejection is an odd thing for me as a literature teacher because I delight in words. Reading, absorbing, experiencing, teaching, analyzing, writing. As a teacher, I hope to never suck the joy out of the reading experience for my students.

I certainly endured more than one class in high school and college that did that well. Analyze. Pull the story apart. Pick it to death. Put it back together. Mash it into the meaning the teacher wants.

Textbooks can often be structured that way too. I wonder if many are built for overworked teachers, to make their lives easier. They might include commentary on a theme, different levels of discussion questions, and ideas for essays. Sometimes I’d rather they didn’t. It can be too prescriptive because the textbook authors are giving you their meaning. On the surface, it’s like saying that teachers and students alike are incapable of thinking through these things. It’s practically miraculous that any student comes out of that system having enjoyed the story still.

And that’s the odd parallel.

In writing fiction, I have to be aware of all of the parts, like ingredients in a recipe. I know what I’m making, but every separate thing must come together. I have to be intentional. I have to be aware of word choice, lexile, backstory, setting, point of view, tone, characters’ needs and wants, the arc of each character, the arc of the plot, scene structure—so many things.

It’s the opposite of how I read and how I teach reading and writing. I realize now that I most appreciate a holistic approach. I do think all of the parts come together as a whole, a synchronicity of sorts. For some writers it comes naturally. For others, like me, it comes through labor and training, especially through the imitation of others.

​And that gives me every hope that as I teach my students parts of the whole, I can do it in a way that doesn’t suck the joy out of the reading experience. We don’t have to notice absolutely every thing in a story to enjoy it. As I lead a class, I can model that. I can choose to emphasize perhaps two or three things an author has constructed. As I am aware, even hyper aware of what an author has done in the story structure, I am able to encourage my students to appreciate the grand design.
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Book Review: My Divine Comedy: A Mother's Homeschooling Journey

5/7/2020

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Experience humbles us. So does sin.

In My Divine Comedy: A Mother’s Homeschooling Journey, Missy Andrews not only presents an educator’s memoir but also a spiritual trek, one reminiscent of Petrarch’s “Ascent of Mount Ventoux.” Andrews details the failures of relying on ourselves as parents and educators. Those failures spoke to me as a mother and as a teacher because she calls us to remember that motherhood and home education are “fruitful work.” But not before reminding us that our students might be performance-driven because we have modeled it for them first.

It is the age-old problem of confusing what we do with who we are. Our work as educators or as parents is not our identity nor should our identity be based on our performance checklists, or testing, or following the latest and greatest curriculums. If we do not see that we are imperfect, that our motives and our ideals are impure, we can be guilty of creating an idol out of education itself. Andrews asks us if we’ve mistaken “the good gifts of God for the Giver.”
And that’s the point. What is education really?
Andrews has a wonderful way of describing what it is by what it isn’t. I was captured by her comments on what she called “the identity race” that we see in every type of schooling—public, private, home, or co-op. We can mistakenly train children and teens with questions like “What are you good at?” rather than “Who are you really?” When we equate schooling with performance and doing, we mislead our students and cause them to ask, “Is anything good enough ever?” Here, she poignantly cites the account of the prodigal son and his brother in Luke 15. In this instance, both boys saw themselves as doers, employees, rather than as sons of a loving father.

Andrews leads us through scripture and literature to show us the truth of Proverbs 29:25 — the fear of man is a snare because we become man-pleasers. She is clear. We will never know it all and neither will our children or our students. They need to know this from the beginning.​
True education familiarizes a child with the stuff of goodness, truth, and beauty in order to equip him with eyes to see his true condition, the shortfall between the ideal and the real. This self-awareness has the potential to awaken humility and prime the soul for an encounter with the sole source of goodness, God Himself.”
 Andrews’ memoir is not about perfect solutions in education or becoming the ideal homeschooling parent. Rather, it’s about a shift in perspective, a humbling awareness of God’s abundant grace that makes us fit for good work.

Read more Book Reviews on classic and contemporary novels. 
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Quarantine Short Reads

4/6/2020

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LIKE MANY READERS during this time of pandemia, my attention comes and goes with the needs of my household. All the classics I want to read or reread are simply standing dusty on the bookshelves. But I do find myself drawn most to fables and fairytales, well because, short reads do count.

Short reads are more approachable because of their length but that doesn’t mean they lack depth, beauty, or truth. And many of these are suitable for family reads and discussions:
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  1. The Light Princess by George MacDonald (1864) or an edition of the Complete Fairy Tales of George MacDonald. There was once a King and Queen to whom a daughter was born. Invitations were sent for the baby's christening, but the King forgot to invite his sister, Princess Makemnoit. This sister, an evil witch, attended the christening anyway, angry at being forgotten. During the ceremony she curses the child to be weightless. The princess's tale becomes a story of folly, love, and great sacrifice with layers of meaning.
  2. Yes, Dandelion Wine by Ray Bradbury (1957) is a full novel, but I have always found it a quick read and a wonderful coming-of-age story. It is the summer of 1928 in Green Town, Illinois. From the first moments when we meet Douglas Spaulding, we know his life is one of imagination and adventure. Young Doug is tantalized by the summer season, and his full-bodied experiences entice the most reticent reader to enter again into a season of discovery. One of the most notable elements of Bradbury’s fiction is this ability to depict the wonder and the dark times of childhood.
  3. “The Spectre Bridegroom”  by Washington Irving (1819). Some Irving stories simply make you smile, but here, Irving’s wit and humor is in such fine form within a classic fairytale setting that it makes me laugh aloud. Before the story starts, Irving introduces the story with a footnote explaining that a wise reader “well-versed in good-for-nothing lore” would know his German tale was both Swiss and French as well. That understatement is classic Irving. Other fun reads include "Kidd the Pirate," "The Boar’s Head Tavern, Eastcheap" or the caricature "John Bull." These are all available online for free.
  4. Leaf by Niggle  by J. R. R. Tolkien (1945). Niggle is a humble artist who lives alone in a world that doesn’t value his work. As he works on his masterpiece leaf by leaf, he is often interrupted by his neighbor Parish who needs his help. Before long, Niggle is permanently interrupted and taken away to work in an institution. With the feel of an allegory, Tolkien explores the idea of the creative life juxtaposed with the basic needs of life among other things. It’s brief and deep at the same time. 
  5. The Book of the Dun Cow by Walter Wangerin, Jr. (1978). A blend of parable, fable, and allegory, this animal tale deepens Chaucer’s character of Chauntecleer the rooster to a firmly human status. At first, Chauntecleer reigns with bluster and fuss over his coop and the animals of his kingdom. His hens live in fear of him yet care deeply. He rages at Mundo Cani Dog yet values him. He is the most emotional rooster you could ever meet. But that can be a strength because Chauntecleer exemplifies virtue in his weakness. He is the perfect imperfect leader to face the coming evil in his land.

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How To Think about How We Read

1/2/2020

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AS I HAVE reread lots of C.S. Lewis for the past two months, I was delighted by his many timely suggestions in An Experiment in Criticism. Lewis truly shuns critics and their systems. He would have us ask what benefit literary criticism offers if each theory presents but one angle. But more than that, the critics have spent so much time developing their critical theories that they just might have forgotten why they began writing about reading in the first place.

Tongue-in-cheek, Lewis says we are to leave them, the critics, to their own (now better informed) reactions because “When I inquire what helps I have had in this matter [in understanding what I read] I seem to discover a somewhat unexpected result. The evaluative critics come at the bottom of the list.”

I had to laugh aloud at that. Let's all boot the critics!


More than anything Lewis reminds us that the value of what we read lies with the reader alone-- 
For me it stands or falls by its power to multiply, safeguard, or prolong those moments when a good reader is reading well a good book and the value of literature thus exists in actu.”
He wants us to think for ourselves and think of what we really derive from our reading. “If we take literature in the widest sense, so as to include the literature both of knowledge and of power, the question ‘What is the good of reading what anyone writes?’ is very like the question ‘What is the good of listening to what anyone says?’ Unless you contain in yourself sources that can supply all the information, entertainment, advice, rebuke and merriment you want, the answer is obvious. And if it is worth while listening or reading at all, it is often worth doing so attentively. Indeed we must attend even to discover that something is not worth attention.”
Simply put, if something is worth reading, it is worth our full attention.
More than understanding and discernment, though, what we read can reach us in deeper ways than we know. Whether we get out of ourselves or dive more deeply inward, Lewis says that one reason we happily read fiction is because we delight in the stir of our imaginations--
We want to see with other eyes, to imagine with other imaginations, to feel with other hearts, as well as with our own. We are not content to be Leibnitzian monads. We demand windows. Literature as Logos is a series of windows, even of doors. One of the things we feel after reading a great work is ‘I have got out’. Or from another point of view, ‘I have got in’; pierced the shell of some other monad and discovered what it is like inside.”
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The Reality of Science Fiction

10/16/2019

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MAN IS THE REAL ALIEN.
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I reread a few classic short stories this week, one by an American and one by a Frenchman. In each story, man was this dissatisfied creature who couldn't find himself whether on Earth or Mars or Minerva. He tainted everything he touched.

Through science fiction as a genre, this avenue of thought is prevalent. It's the best of social criticism, albeit a veiled philosophy--

      CAUTION!  MAN IS CAPABLE OF MASS DESTRUCTION.
It's a disturbing but simple pattern. Humans introduce music or a virus or a bomb and a civilization is forever changed. Consider Alas, Babylon by Pat Frank, a seminal apocalyptic work from 1959. Yes, it deals with the effects of a nuclear war on the small town of Fort Repose, Florida, but it began with an inciting accident in Syria. Post-war life shows the natural and realistic breakdown of society amid its plucky and frequently criminal citizens.

The genre is a simple yet provoking tool. The stories may explore new places and settings but really they depict man's true nature and often the consequence of choice. I have many favorites including Orson Scott Card's series and Isaac Asimov's short stories, but I most frequently recommend the list below:

  1. The Martian Chronicles, Ray Bradbury (1950) A short story collection that chronicles the colonization of Mars, it depicts mankind fleeing from a troubled and eventually atomically devastated Earth. The primary conflict lies between aboriginal Martians and the new colonists.
  2. Journey to the Center of the Earth, Jules Verne (1864) German professor Von Hardwigg believes there are volcanic tubes going toward the center of the Earth. He, his nephew Axel, and their guide Hans encounter many adventures, including prehistoric animals and natural hazards.
  3. Fahrenheit 451, Ray Bradbury (1953) Books are illegal, firemen burn them, and no one is allowed to think on their own. Bradbury draws attention to the things that control us and reminds us that we may not be as free as we think.
  4. The War of the Worlds, H.G. Wells (1897) Describes an invasion of late Victorian England by Martians using tripod fighting machines equipped with advanced weaponry. The Tor Classics edition is perfect.
  5. A Canticle for Leibowitz, Walter M. Miller, Jr. (1959) Set in a Roman Catholic monastery in the desert of the southwestern United States after a devastating nuclear war, the story spans thousands of years as civilization rebuilds itself. It's a long-haul read that's deep in scope.

Share your favorite short or long science fiction reads in the comments section, especially why you love a particular story!
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Reading Richness

2/20/2019

 
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MOST OF MY STUDENTS would like to do other things than read a few chapters of required reading of an evening. For any literature teacher, what’s worse is that they can easily find free poem, chapter, novel, and play summaries with great ease online. After all, summaries are so much shorter, aren’t they?

​So one of my first tasks of the year is to appeal to their integrity with a lesson from the Psalms. Let’s start with this. If I read a summary of a chapter in the Bible, what do I lose? Consider Psalm 23. This version comes to us from Shmoop--
The Lord (God) acts as a shepherd to the speaker. He makes sure the speaker isn't lacking any necessities. The Lord takes the speaker to peaceful and relaxing places, like green fields and calm waters. He also tends to spiritual well-being, making sure that the speaker stays on the right path. ...This happy state of affairs will continue for the rest of the speaker's life, and beyond. He doesn't ever plan to leave the protection of his host and shepherd.​
It is a summary, but where’s the richness? Where is the personal sense of me being the sheep? Adonai is my shepherd. He’s not a neutral speaker unless David somehow knew of political correctness. What happened to vivid verbs like leads, guides, refreshes, comforts?

With David, I feel the certainty of his prayer. Adonai prepares a feast before me publicly in the presence of my enemies. How is that a "happy state of affairs"? Does the summary even capture the essence, the flavor, the mood of David’s perspective? I am anointed by God, and his love and goodness practically chase me. I know like David that I can abide with God, dwell with Him. Not leaving his protection sounds so shallow.

This type of example is simple and clear. It's more than a matter of wording. It's as if the summary reduces not just the number of words but the intention and truth behind them. The experience of reading the word of God simply cannot be redacted or it's no longer reading the word. In the same way, the experience of reading literature is just that—an experience. Shortcuts cheat us. 

​The wealth of reading remains with us just like living moments do. Reading allows us to walk through, to live beside, to express, to imagine within the lives of others.
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