At VoegelinView this month...
It was a classic when it was first published in 1949, but it remains a classic because it is one-of-a-kind. Marchette Chute’s Shakespeare of London is absolutely my favorite biography of Shakespeare because of her contextual approach.
Rather than focusing on biographical elements alone, Chute essentially crafts the story of Shakespeare’s life from a paper trail, from wherever she could find town records, lease arrangements, tax papers, theatre programs, personal letters, and really anything in print. She creates a holistic picture of the time period in Stratford-upon-Avon and in London while effectively showing the complexity of the London stage. Chute writes about how Shakespeare’s arrival in London was perfectly timed as the theatres themselves were just blossoming: “William Shakespeare brought great gifts to London, but the city was waiting with gifts of its own to offer him. The root of his genius was his own but it was London that supplied him with favoring weather.”
More than one chapter deals with the rigorous training a successful actor had to go through. From the physicality of stunts, fencing, and dancing to the ability to sing and capture an audience with voice, the requisite skills of an actor were truly gifts in a competitive field. The repertoire of one actor, let alone an active company, was a teeming stock of stories.